I shoot through window screens, netting and scrims, creating grid patterns that become the sharpest focal element of each image. I employ these grids and barriers in order to dissect, pixelate, filter and flatten landscapes and space. Subjects and figures are broken apart and reconstructed in such a way that they are both integrated into their environments and isolated within them. None of the subjects in my photographs have any discernible features; rather, they are faceless characters whose identities are defined by their surroundings. Although the photographs originate from 35mm negatives, I hope to reference both video technology and painting techniques.